Talking about her views on gender bias, she further added, “More so in the field of technicians, say if you are a director, you have to do the same work whether you are a man or a woman. The work requires similar skill set and knowledge, so I do not understand when someone tells me I am a woman director. I am a director! I would like to stress that we need more women DOPs in the industry, and that should be encouraged.”
The ‘powerhouse choreographer’ further regaled the students with several titbits from behind-the-scene incidents and her own foray into Bollywood. “Aamir Khan in a sense, was my first teacher for filmmaking. He used to answer my doubts on the sets of Joh Jeeta Wahi Sikander”. It’s her 25th year in the industry this year, a journey that started as an Assistant Director to Mansoor Khan with the movie, ‘Joh Jeeta Wahi Sikander’. She remembered her financial struggles during the formative years, along with performing dance gigs in the city with her troupe.
During the session, Farah Khan constantly stressed on the importance of honing people skills and crisis management as new filmmakers. “Filmmaking is all about people management”, she advised. Working on a film set is about dealing with multiple crises on a daily basis, so one needs to be a quick decision maker. Assistant directors should be ‘problem solvers’, not ‘problem givers’, she advised the students.
Wrapping up the session, she praised the efforts taken by WWI to create a platform for students to directly interact with the leading figures in the industry. Meghna Puri, President, WWI, thanked her for spending time with the students and for sharing her valuable inputs.